I recently popped along (on cheapie Tuesday) to see
Ponyo, the newest offering from one of my favourite directors, Hayao Miyazaki.
A version of Hans Christian Andersen's
The Little Mermaid, Ponyo is the name of a goldfish who befriends Sosuke, a five year old human boy. She forms an attachment to Sosuke and yearns to leave her home, the ocean, and become a little human girl, against the wishes of Fujimoto, her sea sorceror father. So far, so fairytale. But a Miyazaki film has never taken the traditional route, in plot or execution. Ponyo's wish upsets the balance of nature and causes a tsunami and she and Sosuke must set out, without adult help, to make this wrong right.
The film features the usual Miyazaki elements - a young, feisty, independent-minded heroine; strong, older female characters, a good dose of magic and even greater lashings of whimsy. And his films, magical though they may be, are more often than not about growing up and accepting responsibility, as well as subtle (and not so subtle, in the case of
Princess Mononoke and
Nausicaa of the Valley of the Wind) statements about the damage which humankind is wreaking on the environment. But his films are never gauche or sentimental. Rather Miyazaki's strength lies in his skill in creating quiet moments - when his characters cook up a meal and sit down to eat, or have an out-of-sorts blue day, or experience the pain of a having to make difficult choice - without veering into Disney-like schmaltz.
He is also an old school animator, preferring hand-drawings (he drew many of the 17,000 plus drawings for
Ponyo) to CGI. Apparently he lambasted his son Goro, the director of Studio Ghibli's last offering,
Tales from Earthsea, for utilising too much CGI. Handdrawn animation might sound quaint and even a little yawnsome, but when it's Miyazaki at the helm, you know you're going to be in for a visual treat. Miyazaki's rendering of the underwater realm (which in this film substitutes for the sky and allows the director to indulge in his passion for animating flight, or swim, in this case) and its inhabitants, including dolourous fish, lugubrious octopii and bulbous jellyfish, is magical.
It's a lovely film, aimed for the younger age bracket rather than some of his other offerings like
Spirited Away or
Howl's Moving Castle. But it's still a wonderful, engaging watch for big kids of all ages.
A few stills from the movie below, taken from the official Australian
site.

[caption id="attachment_292" align="aligncenter" width="405" caption="Fujimoto's submarine"]

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[caption id="attachment_303" align="aligncenter" width="417" caption="Sosuke finds Ponyo"]

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[caption id="attachment_293" align="aligncenter" width="405" caption="Ponyo and her sisters"]

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[caption id="attachment_289" align="aligncenter" width="420" caption="Sosuke's mother, Lisa, takes the children home"]

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